poetry

the mother

Abortions will not let you forget.

You remember the children you got that you did not get,

The damp small pulps with a little or with no hair,

The singers and workers that never handled the air.

You will never neglect or beat

Them, or silence or buy with a sweet.

You will never wind up the sucking-thumb

Or scuttle off ghosts that come.

You will never leave them, controlling your luscious sigh,

Return for a snack of them, with gobbling mother-eye.

I have heard in the voices of the wind the voices of my dim killed children.

I have contracted. I have eased

My dim dears at the breasts they could never suck.

I have said, Sweets, if I sinned, if I seized

Your luck

And your lives from your unfinished reach,

If I stole your births and your names,

Your straight baby tears and your games,

Your stilted or lovely loves, your tumults, your marriages, aches, and your deaths,

If I poisoned the beginnings of your breaths,

Believe that even in my deliberateness I was not deliberate.

Though why should I whine,

Whine that the crime was other than mine?—

Since anyhow you are dead.

Or rather, or instead,

You were never made.

But that too, I am afraid,

Is faulty: oh, what shall I say, how is the truth to be said?

You were born, you had body, you died.

It is just that you never giggled or planned or cried.

Believe me, I loved you all.

Believe me, I knew you, though faintly, and I loved, I loved you

All.

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other peoples poetry, poetry

dorothy wordsworth

The daffodils can go fuck themselves.
I’m tired of their crowds, yellow rantings
about the spastic sun that shines and shines
and shines. How are they any different

from me? I, too, have a big messy head
on a fragile stalk. I spin with the wind.
I flower and don’t apologize. There’s nothing
funny about good weather. Oh, spring again,

the critics nod. They know the old joy,
that wakeful quotidian, the dark plot
of future growing things, each one
labeled Narcissus nobilis or Jennifer Chang.

If I died falling from a helicopter, then
this would be an important poem. Then
the ex-boyfriends would swim to shore
declaiming their knowledge of my bulbous

youth. O, Flower, one said, why aren’t you
meat? But I won’t be another bashful shank.
The tulips have their nervous joie-de-vivre,
the lilacs their taunt. Fractious petals, stop

interrupting my poem with boring beauty.
All the boys are in the field gnawing raw
bones of ambition and calling it ardor. Who
the hell are they? This is a poem about war.

– Jennifer Chang

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other people's poems, poetry

a la brecha (to the persecuted)

If suffering comes unabated,

if weariness weighs down your spirit,
do as the once barren tree:
flourish.
And like the planted seed:
rise.

Resurge, breathe, shout, walk, fight,
Vibrate, glide, thunder, shine forth…
Do as the river rich with new rainwater:
grow.
Or like the sea approaching a rocky shore:
strike.

Know how to face the angry thrust of storms,
not braying, like a frightened lamb,
but roaring, like a defiant beast.

Rise! Revolt! Resist!
Do as the bull in the face of adversity:
charge
with confident power.

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other people's poems, poetry

spring

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

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